Ghost the Musical

Alexandra Theatre Birmingham until 5th April  (best availability Wednesday and Thursday)

*** and a half

Bringing a beloved film to the stage is always a tricky balancing act – honouring the original while ensuring it translates effectively to a live performance. This latest adaptation largely succeeds in capturing the aesthetic and energy of its source material, though some of its modern updates feel at odds with its nostalgic appeal.

Visually, the production stays true to the film’s iconic style, with instantly recognisable sartorial choices for Molly and carefully choreographed moments, like the briefcase sequences, paying homage to its cinematic roots. However, while certain elements remain firmly rooted in 1990, including a now laughable reference to Brooklyn as an “up-and-coming” neighbourhood – the inclusion of iPhones, iPads, and 21st-century references in the script feels jarring.

In an era where millennials and Gen X audiences make up the bulk of the audiences theatres are hoping to attract, and even Gen Z-ers are riding a wave of ‘90s nostalgia, these updates seem like an unnecessary deviation from the film’s original charm.

Performance-wise, the cast delivers with charisma and confidence. Both Rebekah Lowings (Molly Jenson) and Jacqui Bubois (Oda Mae Brown) deserve mention for their commanding performances, holding the audience’s attention with ease, while Jamie Pritchard (standing in as Carl Brunner) has the presence and magnetism of a star in the making.

The production also delivers some truly impressive illusions, managing to offer delightful surprises to a familiar plot and elevating the experience. The set design, particularly for a touring production, is ambitious and impressive, creating a sense of scale and spectacle that enhances the overall theatricality.

The final act delivers some truly satisfying pay-offs, ensuring the show ends on a high note. The strong turnout in the audience is a promising sign; in a time when regional theatre faces an uphill battle against the convenience of streaming, productions like this prove that live theatre can still draw a crowd.

A fun night out, this show may not be to everyone’s tastes, but it offers enough entertainment, nostalgia, and theatrical flair to make it worth the trip.

Reviewed by Jonathan Lauren